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Muriel Spark (1918–2006)

Author of The Prime of Miss Jean Brodie

93+ Works 20,191 Members 704 Reviews 102 Favorited

About the Author

Muriel Spark has been called "our most chillingly comic writer since Evelyn Waugh" by the London Spectator, and the New Yorker praised her novel Memento Mori ri (1959) as "flawless." Her fiction is marked by its remarkable diversity, wit, and craftsmanship. "She happens to be, by some rare show more concatenation of grace and talent, an artist, a serious---and most accomplished---writer, a moralist engaged with the human predicament, wildly entertaining, and a joy to read" (SRSR). She became widely known in the United States when the New Yorker devoted almost an entire issue to The Prime of Miss Jean Brodie (1961). Set in Edinburgh in the 1930s, this is the story of a schoolteacher, her unorthodox approach to life, and its effect on her select group of adolescent girls. Though their idol turns out to have feet of clay, she leaves an indelible mark on their lives. The Girls of Slender Means (1963), also warmly praised, is a sardonic look at the vivacity of youth and the anxieties of young womanhood. Reviewing The Mandelbaum Gate (1965) for the New Republic, Honor Tracy wrote: "There is an abundance here of invention, humor, poetry, wit, perception, that all but takes the breath away. . . . The story, in fact, is pure adventure, with the suspense as artfully maintained as anywhere by Graham Greene, but this is only one ingredient. There are memorable descriptions of the Holy Land, fascinating insights into the jumble of intrigue and piety surrounding the Holy Places, and penetrating studies of Arabs. . . . In each of [Spark's] novels heretofore one of her qualities has tended to predominate over the others. Here for the first time they are all impressively marshaled side by side, resulting in her best work so far." The daughter of an Englishwoman and a Scottish-Jewish father, Spark was born and educated in Edinburgh. After her marriage in 1938, she lived for some years in Central Africa, a period rarely reflected in her work. During World War II, she returned to Britain, where she worked in the Political Intelligence Department of the Foreign Office after the breakup of her marriage. She has been a magazine editor and written poetry and literary criticism. Spark has lived in London's Camberwell section, the setting of The Ballad of Peckham Rye (1960), but now makes her home in New York. Her novels reflect her conversion to Roman Catholicism. (Bowker Author Biography) Writer Muriel Spark was born in Edinburgh on February 1, 1918. In 1934-1935 she took a course in commercial correspondence and précis writing at Heriot-Watt College. After her marriage in 1937, she lived for some years in Central Africa. During World War II, she returned to Britain, where she worked in the Political Intelligence Department of the Foreign Office after the breakup of her marriage. After the war, she began her literary career. She became General Secretary of the Poetry Society, worked as an editor and wrote studies of Mary Shelley, John Masefield and the Brontë sisters. Her first book of poetry, The Fanfarlo and Other Verse, was published in 1952 and her first novel, The Comforters, was published in 1957. She wrote over twenty books including The Prime of Miss Jean Brodie and The Finishing School. She won numerous awards and honors including the 1965 James Tait Black Memorial Prize for The Mandelbaum Gate, the 1992 U. S. Ingersoll Foundation T. S. Eliot Award, the 1997 David Cohen British Literature Prize for Lifetime Achievement, and in 1993 she became Dame Commander of the Order of the British Empire in recognition of her services to literature. The Scottish Arts Council created the Muriel Spark International Fellowship in 2004. She died on April 13, 2006. (Bowker Author Biography) show less

Works by Muriel Spark

The Prime of Miss Jean Brodie (1961) 5,255 copies
Memento Mori (1959) 1,738 copies
The Girls of Slender Means (1963) 1,324 copies
A Far Cry from Kensington (1988) 1,285 copies
The Driver's Seat (1970) 1,001 copies
Loitering with Intent (1981) 847 copies
The Ballad of Peckham Rye (1960) 740 copies
Aiding and Abetting (2000) 586 copies
The Finishing School (2004) 526 copies
The Mandelbaum Gate (1965) 520 copies
The Comforters (1957) 509 copies
Symposium (1990) 502 copies
The Abbess of Crewe (1974) 475 copies
The Bachelors (1960) 457 copies
The Public Image (1968) 317 copies
The Only Problem (1984) 291 copies
Not to Disturb (1971) 280 copies
Territorial Rights (1979) 268 copies
Robinson (1958) 246 copies
Reality and Dreams (1996) 246 copies
The Takeover (1976) 218 copies
Mary Shelley (1951) 218 copies
The Stories of Muriel Spark (1985) 129 copies
The Complete Short Stories (2001) 116 copies
Muriel Spark Omnibus 1 (1993) 69 copies
Muriel Spark Omnibus 2 (1994) 61 copies
The Informed Air: Essays (2014) 40 copies
Voices at Play (1961) 37 copies
The Very Fine Clock (1968) 22 copies
The Golden Fleece (2014) 18 copies
Muriel Spark Omnibus 1 & 2 (1995) 13 copies
John Masefield (1992) 11 copies
Penguin Plays: Novelists' Theatre (1963) — Playwright — 10 copies
Complete Poems (2004) 10 copies
Muriel Spark Omnibus 4 (1997) 9 copies
The Brontë Letters (1966) — Editor — 8 copies
Collected Poems (1967) 7 copies
Spark's Satire (2016) 6 copies
Muriel Spark Omnibus 3 (1996) 6 copies
The Hanging Judge (1995) 5 copies
Spark's Europe (2016) 5 copies
Chimes (2014) 2 copies
Rose di Scozia (1997) 2 copies
Madam X (1996) 1 copy

Associated Works

The Penguin Book of Modern British Short Stories (1989) — Contributor — 433 copies
The Penguin Book of Modern Fantasy by Women (1995) — Contributor — 166 copies
The Pan Book of Horror Stories (1959) — Contributor — 158 copies
Murder & Other Acts of Literature (1997) — Contributor — 149 copies
The Penguin Book of Horror Stories (1984) — Contributor — 143 copies
The Penguin Book of Ghost Stories (1984) — Contributor — 122 copies
Mistresses of the Dark [Anthology] (1998) — Contributor — 122 copies
The Second Penguin Book of English Short Stories (1972) — Contributor, some editions — 119 copies
The Penguin Book of Women's Humour (1996) — Contributor — 119 copies
The Penguin Book of First World War Stories (2007) — Contributor — 109 copies
The Oxford Book of Scottish Short Stories (1995) — Contributor — 102 copies
The Penguin Book of Modern Women's Short Stories (1990) — Contributor — 100 copies
7th Annual Edition: The Year's Best S-F (1962) — Contributor — 94 copies
The Treasury of English Short Stories (1985) — Contributor — 84 copies
The Mammoth Book of Twentieth-Century Ghost Stories (1998) — Contributor — 76 copies
The Literary Ghost: Great Contemporary Ghost Stories (1991) — Contributor — 75 copies
The Ecco Book of Christmas Stories (2005) — Contributor — 75 copies
Women and Fiction: Volume 2 (1978) — Contributor — 73 copies
The Oxford Book of Twentieth-Century Ghost Stories (1996) — Contributor — 72 copies
The New Penguin Book of Scottish Short Stories (1983) — Contributor — 70 copies
The Penguin Book of Scottish Short Stories (1986) — Contributor — 69 copies
Nightshade: 20th Century Ghost Stories (1999) — Contributor — 65 copies
The Prime of Miss Jean Brodie [1969 film] (1968) — Original book — 61 copies
Ghosts of Christmas Past (2017) — Contributor — 59 copies
Mystery for Christmas (1990) — Contributor — 51 copies
The Norton Book Of Ghost Stories (1994) — Contributor — 50 copies
Revenge: Short Stories by Women Writers (1986) — Contributor — 49 copies
An Omnibus of 20th Century Ghost Stories (1989) — Contributor — 45 copies
65 Great Murder Mysteries (1983) — Contributor — 41 copies
Realizations: Newman's Own Selection of His Sermons (1964) — Foreword — 38 copies
Haunting Women (1988) — Contributor — 37 copies
Partisan Review: The 50th Anniversary Edition (1905) — Contributor — 35 copies
The Secret Self: A Century of Short Stories by Women (1995) — Contributor — 34 copies
Classic Detective Stories (1992) — Contributor — 22 copies
Studies in Fiction (1965) — Contributor — 22 copies
New Writing 13 (2005) — Contributor — 17 copies
Modern Women Poets (2005) — Contributor — 13 copies
Women Writing: An Anthology (1979) — Contributor — 12 copies
Modern Short Stories 2: 1940-1980 (1982) — Contributor — 12 copies
Cats: Fifteen Complete Stories and Poems (1998) — Contributor — 5 copies
Personal Choice (1977) — Contributor — 2 copies
Stories of Adolescence (1979) — Contributor — 1 copy
Modern Choice 2 — Contributor — 1 copy

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Common Knowledge

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Discussions

Group Read, October 2021: Memento Mori in 1001 Books to read before you die (October 2021)
BRITISH AUTHOR CHALLENGE NOVEMBER - SPARK & BOYD in 75 Books Challenge for 2015 (December 2015)
Muriel Spark Reading Week (23-29 April) in Virago Modern Classics (May 2012)

Reviews

Odd novel in which two versions of Lord Lucan, a man on the run from charges that he murdered his children's nanny in mistake for his ex-wife, seek therapy or blackmail from a supposed psychiatrist with a background of having been a fraudulent stigmatist. Who is the real Lucan, who the fake and are they partners or competitors? Based on actual case, Lord Lucan did disappear, may have been aided by friends, was eventually declared dead.
 
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ritaer | 24 other reviews | Jun 5, 2024 |
WTF is this?

I don’t think I enjoyed a single thing about it.
 
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spiritedstardust | 53 other reviews | Jun 1, 2024 |
Lise is thirty-four years old, “neither good-looking nor bad-looking”, who leaves her job in an accountant’s office for a holiday in the south. (It is never stated precisely where.) When we first meet Lise she is shopping for vacation clothes and it is obvious that something isn't quite right. She is on the point of buying a new dress until the salesgirl points out that the fabric is a specially treated so that won’t stain. Lise flies into a rage literally ripping it off before storming out of the shop and buying a garish outfit in another shop.

As we follow Lise on her holiday, it soon becomes apparent that she is looking for something, or more precisely, someone, some as-yet-nameless person who will fulfil her deepest desires. She restlessly wanders through airports, shops, parks, and city streets, constantly searching.

It quickly becomes clear that Lise is not in any conventional sense looking for romance and companionship, what she is seeking is the man who will murder her, and when she finds him she will ensure that he does the job right.

‘She told me to kill her and I killed her. She spoke in many languages but she was telling me to kill her all the time. She told me precisely what to do."

But what exactly is 'The Driver's Seat'? Is it a crime story? A horror tale? A psychological drama?, A critique of feminism? A savage satire of a consumer culture in which we can shop for anything, even our own death? Is it “the indecent exposure of fear and pity, pity and fear.”?' All these are certainly present but what it certainly is, is a deeply disturbing and thankfully short read. It has a good opening but goes nowhere in the end and I found it quite boring. Not a bad read but definitely not a classic.
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PilgrimJess | 53 other reviews | May 31, 2024 |
I've had this novel on my list for years and since I am having problems figuring out what I'm actually in the mood to read, I thought I'd finally dive in.

For those not familiar with the story, Miss Jean Brodie is what would have been considered a teacher with progressive ideas during the 1930s. She mentors a small group of elite students, taking them on field trips, inviting them to her house and confiding all types of details about her personal life. (I think presently, Miss Brodie's actions would be construed as a severe breach of personal/professional
boundaries.) As events unfold, Miss Brodie insists that she is in her prime and has chosen to dedicate her life to her students. In exchange, there is an unsaid expectation of loyalty from her curated "Brodie Group." Of course Miss Brodie's teaching tactics do not sit well with the other more conventional teachers and the headmistress.

The thing that struck me about Miss Brodie was she often employed the same tactics some of the other teachers used, which was telling students what to think, instead of teaching students critical thinking skills. At one point Miss Brodie states, "Who is the greatest Italian painter?" "Leonardo da Vinci, Miss Brodie." "That is incorrect. The answer is Giotto, he is my favourite." What a load of baloney thought I, as this is a completely subjective opinion not based on any fact or scientific methodology of assessment. Yes, Miss Brodie often introduced the students to unconventional subjects but she either filled in the blanks with her opinions (presented as facts) or she really didn't provide any deeper understanding of a subject, leaving the students to fill in the missing details with all sorts of conjecture. By the end of the book, I didn't really have much respect for Miss Brodie and I thought most of the students were a bunch of spoiled brats.

Mural Spark did present a thought provoking and well crafted story wrapped up in a short book. She lost me a few times with the random flash-forward scenes, until I figured out what was going on. Not a masterpiece in my opinion, but a classic worthy of reading. It does make one think, especially given how schools in certain states are currently trying to prevent teachers from addressing a whole host of subjects and are continuing to ban books that don't mesh with their warped myopic views based on some alternative reality.
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Ann_R | 171 other reviews | May 25, 2024 |

Lists

AP Lit (1)
Teens (1)
Cooper (1)
Europe (1)
1950s (1)
1960s (2)

Awards

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Associated Authors

Angus Wilson Playwright
Penelope Jardine Introduction
Eric Rhode Introduction
Alan Taylor Foreword, Introduction
Van Pariser Cover photograph, Cover artist
Léo Dilé Translator
Peter Naujack Translator
Nadia May Narrator
Ali Smith Introduction
Otto Bayer Translator
Katja Vranken Translator
A. L. Kennedy Introduction
Gary Blythe Cover artist
Ida Omboni Translator
R. M. Powers Cover designer
Geni Hirata Translator
Gigi Mihaita Translator
Augusto Gubler Translator
W.A.C. Whitlau Translator
袁凤珠 Translator
Candia McWilliam Introduction
Merete Alfsen Translator
Silvia Barbero Translator
Magdeleine Paz Translator
Beryl Cook Illustrator
Püren Özgören Translator
Hal Hager Afterword
William Boyd Introduction
Alain Delahaye Translator
V. S. Pritchett Introduction
Tomi Ungerer Cover designer
Zoë Strachan Introduction
Anjo Mutsaars Cover designer
Ian Rankin Introduction
Robert Croxford Cover photograph
Rosemary Goring Introduction
Eleanor Bron Narrator
Moshe Singer Translator
Lucienne Day Cover artist
Teresa Monachino Cover designer
Anna Allisio Translator
Maribel de Juan Translator
Wanda Ramos Translator
Flo Gibson Narrator
John Lanchester Introduction
Judi Dench Narrator
Andrew O'Hagan Introduction
Joseph Kanon Introduction
Mark Lawson Introduction
Carlos Milla Translator
Ronald Frame Introduction
Davina Porter Narrator
Louise Welsh Introduction
Jackie Kay Introduction
Gabriel Josipovici Introduction
Nadia May Narrator
Bob Croxford Cover photograph
Claude Demanuelli Introduction
Allan Massie Introduction
Monica Pareschi Translator
James Campbell Introduction
Terence Greer Cover artist
Victor Reinganum Cover designer
Martin Haake Cover artist
Lucy Ellmann Introduction
Richard Holloway Introduction
Dan Gunn Introduction
Edward Gorey Illustrator, Cover artist
Kapka Kassabova Introduction
Kirsty Gunn Introduction
Candida McWilliam Introduction
Brian Morton Introduction
Michael Schmidt Introduction
Emilia Fox Narrator
Ian Stuart Cover designer
Keith Cunningham Cover designer

Statistics

Works
93
Also by
52
Members
20,191
Popularity
#1,074
Rating
½ 3.7
Reviews
704
ISBNs
745
Languages
26
Favorited
102

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