Jesmyn Ward
Author of Sing, Unburied, Sing
About the Author
Jesmyn Ward was born in DeLisle, Mississippi in 1977. She became a writer after the death of her brother by a drunk driver. She received a MFA in creative writing from the University of Michigan. Her books include the novel Where the Line Bleeds, the memoir Men We Reaped, and the nonfiction work show more The Fire This Time: A New Generation Speaks about Race. Salvage the Bones won the National Book Award in Fiction in 2011 and an Alex Award in 2012. Sing, Unburied, Sing won the National Book Award in Fiction in 2017. She taught at University of New Orleans, the University of South Alabama, and Tulane University. (Bowker Author Biography) show less
Series
Works by Jesmyn Ward
Cattle Haul 3 copies
Associated Works
Fight of the Century: Writers Reflect on 100 Years of Landmark ACLU Cases (2020) — Contributor — 187 copies
New Daughters of Africa: An International Anthology of Writing by Women of African Descent (1992) — Contributor — 90 copies
Tagged
Common Knowledge
- Birthdate
- 1977-04-01
- Gender
- female
- Nationality
- USA
- Birthplace
- DeLisle, Mississippi, USA
- Education
- Stanford University
University of Michigan - Occupations
- author
writer in residence
professor - Organizations
- University of South Alabama
Tulane University - Awards and honors
- MacArthur Fellowship (2017)
Library of Congress Prize for American Fiction (2022)
Members
Reviews
Lists
Overdue Podcast (2)
Best of 2017 (1)
READ in 2023 (1)
Everand 2023 (1)
Climate Change (1)
Black Authors (2)
Five star books (2)
The Zora Canon (2)
Zora Canon (2)
AP Lit (1)
Book Club 2021 (1)
First Novels (1)
Favourite Books (1)
Dead narrators (1)
Recommendations (3)
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 10
- Also by
- 4
- Members
- 9,996
- Popularity
- #2,383
- Rating
- 4.1
- Reviews
- 493
- ISBNs
- 145
- Languages
- 12
- Favorited
- 11
The writing is poetic and atmospheric, magical realism that provides historical markers to the Placage women in NOLA and the life of St. Malo. At times for me the spirits slowed the pace of the plot but I don't pretend to not appreciate the talent of the author. I would recommend listening to her interviews regarding the years of exploration and revision of this work.
Lines:
Mama has always been a woman who hides a tender heart: a woman who tells me stories in a leaf-rustling whisper, a woman who burns like a sulfur lantern as she leads me through the world’s darkness, a woman who gives me a gift when she unsheathes herself in teaching me to fight once a month.
They sleep with their mouths open, pink scraped across their cheeks, their eyelids twitching like fish who swim in the shallows.
And everywhere, us stolen. Some in rope and chains. Some walking in clusters together, sacks on their backs or on their heads. Some stand in lines at the edge of the road, all dressed in the same rough clothing: long, dark dresses and white aprons, and dark suits and hats for the men, but I know they are bound by the white men, accented with gold and guns, who watch them. I know they are bound by the way they stand all in a row, not talking to one another, fresh cuts marking their hands and necks. I know they are bound by the way they wear their sorrow, by the way they look over an invisible horizon into their ruin.
The digging fingers of another as he assesses us for mating, brags about his bucks, about the fine ’ninnies we can make, about how much each would fetch, his words a steady bad wind carrying the stench of an animal carcass slaughtered and left to rot in the woods.
“What’s a plaçage woman?”
I sob into the earth. I offer to They Who Take and Give until I’m a hollow gourd: dry of sorrow, spiked with the dregs of memory.
Esther’s brother’s nose is a fin in his face, his eyes the bottom of the deepest part of a river, the black cool where the current cannot reach, where driftwood, whole trunks, sink to silt. His neck, even though he is almost as lean as us, is solid as a young pine.
“Blessing,” she says, and then she’s silent. I count the days since my last bleeding, and suddenly, I know what my reach for pleasure with Esther’s brother has done. I know what the soreness in my chest means. I know that there is a seed, a song, a babe coming to me. I put my hands on my stomach and rock.… (more)